| 1. |
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Occasionally work from the East stands out for sheer quality of workmanship and this selection we have made, has we feel, this certain something. The low prices reflect the lower costs and in consequence are remarkable bargains. The works are by a variety of different anonymous artists. |
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| 2. |
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Based in France he was awarded the medal of Honour for his contribution to the Arts in France where his work ranges from table top to the massive 30' sculpture to the Resistance his work is much sort after especially in his adopted country of France and we are privileged to be able to show some of his work here. |
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| 3. |
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His charming, rounded, friendly figures have been snapped up by, amongst others, collectors in Holland, Austria, France, Germany, Singapore, Italy, Thailand, USA. Lord Carrington, Michael Hestletine, Tom Stoppard, and Pru Leith have pieces in their collections. |
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| 4. |
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His work has been exhibited and bought in London, Zurich, Rome, Amsterdam, Madrid, Los Angeles, New York, Miami, Aspen, Sydney, Toronto, Hong Kong, Glasgow, Paris, Monaco, Hamburg, Melbourne, Singapore, Washington DC, Chicago, Las Vegas, and Vancouver. His ethereal and original works are in the collections of the National Galleries of Canberra, Canada and Rome, The Natural History Museum, Museum Beelden Am Zee Holland and numerous private, corporate and public collections. |
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| a. |
Raptu 2008 |
123 x 77 x 24 cm |
Bronze Mesh |
Unique |
£10000 |
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| 5. |
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Comes with a well established reputation from Spain and has been invited to exhibit in Paris, Madrid, Valencia, Mallorca, Sheffield, London, Zimbabwe, Italy etc and has work and commissions in collections all over the world and you only have to see her work to understand why. |
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| a. |
Blessing |
55 x 30 x 26 cm |
Marble |
1/1 |
£5000 |
| b. |
Expectation |
50 x 26 x 17 cm |
Buñol Marble |
1/1 |
£5000 |
| c. |
Limitation |
50 x 30 x 15 cm |
Bateig sandstone |
1/1 |
£4167 |
| d. |
Need |
23 x 45 x 27 cm |
Bateig sandstone |
1/1 |
£4667 |
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| 6. |
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Trained at Reading University and the Ecole des Beaux Arts in Paris and having taken early retirement from teaching plunged into sculpture and portraiture and was selected for the RA Summer Exhibition. His time is almost entirely taken up by commissions so we are lucky to have his work to show his incredible talent for the human form in repose and motion. |
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| 7. |
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Monika was brought up in Germany and was a student of Guiseppe Del Debbio at the Academy of Fine Arts in Florence. Her Bronzes are cast at a traditional Italian bronze foundry just outside Florence. She understands how expertly capture the characteristics of a theme in delicate, light tones, reflecting her positive attitude and view of life. They draw the observer closer to `The Lightness of Being`. |
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| 8. |
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After 5 years studying sculpture at the Liverpool College of Art, she worked in America, Kenya and the North of England. All of which have influenced her in her figurative and abstract art. Only working in bronze, using cire perdue, she has work in collections in most parts of the country and you can see why. |
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| 9. |
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Having been born and brought up in Jersey he went to Art College followedby Freelancing as sculptor for BBC TV and later for the whole entertainments industry. Although they keep him very busy he manages to create these delighful pieces for the great outdoors. He is open to commissions and keen on challenges. |
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| a. |
Peach |
Larger than life |
Resin |
u/l |
£3500 |
| b. |
Pear |
Larger than life |
Resin |
u/l |
£3000 |
| c. |
Tw Cherries |
Larger than life |
Resin |
u/l |
£2000 |
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| 10. |
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Heather Burnley whose skill in the human form and portraiture pervades all her work in bronze,
terracotta and bronze resin learnt her artistry when she studied extensively at the Bath Academy, the Accademia delle Belle Arti in Florence and Park Walk, Chelsea. A sculptural group of hers in bronze, relating to a former Abbot of Glastonbury Abbey, can be seen in the courtyard of the Abbey Museum. |
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| a. |
Lucie |
Lifesize |
Resin |
1/1 |
£3500 |
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| 11. |
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Her work is derived from intense study of early civilisations. What she is interested in is the connection between man and his spiritual and physical world. In this secular society, with an ever-decreasing attention span, she is looking for something deeper and more lasting. |
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| a. |
Druid |
38 in |
Monk’s Park Limestone |
1/1 |
£3250 |
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| 12. |
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He has a natural eye for form and design and unerring ability to turn the former into spectacular reality in stainless steel. He does this alongside this other skill in designing and creating original designer furniture for exteriors as well as interiors. |
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| 13. |
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This is remarkable confluence of talents in the artistic creations of wild life by David Cemmick with his immense knowledge of the animal kingdom and the skilful mould making and finished by Sebastian Wylder, whoses abilities are used by several top end sculptors. |
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| a. |
THE RUT |
life size |
BRONZE |
9 |
£45000 |
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| 14. |
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Peter has exhibited his imaginative organic sculpture in innumerable outdoor and indoor exhibitions throughout Britain since graduating from Camberwell College, London. The majority of his work is in copper and steel.
His work has been purchased for collections in Europe, the US and New Zealand, such is the interest in his unearthly depictions of flora which blend in so well in garden settings, as exampled in BBC Gardener’s World, The FT , Sunday Express colour supplements etc. |
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| 15. |
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Whose work is in collections as far afield as France, Denmark, New Zealand and South Africa, as well as all over Britain. She trained under the RA Exhibition Sculptor, Gerda Rubenstein and has exhibited widely with the ever successful Surrey Sculpture Society. She works in bronze marble and iron resin, from her original clay, working mostly in human and animal form, where she somehow catches the mood of repose or movement. |
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| a. |
Imagine |
50 x 50 x 48 cm |
Bronze Resin and Marble |
8/20 |
£750 |
| b. |
Siesta |
180 x 58 cm |
Green Bronze Resin |
8/20 |
£1380 |
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| 16. |
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Martin makes beautifully crafted wire sculptures by welding stainless steel. |
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| a. |
little whizzgog |
15 x 15 x 20 cm |
stainless a pebble and araldite |
n/a |
£150 |
| b. |
Mermaid |
2.1 m |
grade 316 stainless steel |
1/1 |
£3500 |
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| 17. |
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An inventive and original artist working in the balmy climate of the West Indies, who has created fireballs cut from ever more difficult to source steel buoys. |
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| 18. |
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Having studied at Staffordshire Art College he went on to work with the remarkable Jonathan Wylder on the mammoth monument, the first Marquess of Westminster in Belgrave Square, amongst others. Working in bronze, ceramic, wood, reconstructed stone and resin his sculptures can be found all around the world. Very versatile and eclectic in his approach he somehow excels at everything he touches. Highly collectable. |
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| a. |
Kirsty |
60 x 48 x 45 cm |
Bronze Resin |
3/9 |
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| b. |
Zola |
56 x 15 x 59.9 cm |
Bronze |
8/24 |
£2500 |
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| 19. |
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Particularly accomplished in humorous and life like animals, in bronze, ceramic and resin, and often uses colours outside the normal. Exhibits widely and has an avid following and you can see why. |
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| 20. |
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A truly remarkable self taught artist producing one off fine bird sculptures using his highly skilled metalcraft techniques from a career of repairing aircraft. After a lifelong passion for wood carving, willow sculpture and nature, the natural progression into metals particularly old copper, has produced a marvelous collection of fine bird sculptures. |
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| a. |
Heron 2 |
120 x 40 x 30 cm |
Old Copper |
1/1 |
£3667 |
| b. |
Pheasant 2 |
100 x 50 x 20 cm |
Old Copper on Buckthorn Stump |
1/1 |
£3750 |
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| 21. |
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She has an unnerving skill in depicting the female form in all of it’s glory, somehow capturing the modern idiom, whilst at the same time preserving the traditional values of classical figurative sculpture. Angela captures the poise and elegance of the catwalk model and the essence of seduction within the semi naked figure. |
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| a. |
Aurora |
135 cm |
Bronze |
2/24 |
£12500 |
| b. |
Enigma |
55 x 18 x 37 cm |
Reconstructed Stone |
7/36 |
£450 |
| c. |
Serene Beauty |
73 x 18 x 25 cm |
Bronze Resin |
4/24 |
£585 |
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| 22. |
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A rare Artists Blacksmith, whose work can be found at Eton College, The Natural History Museum, Elizabeth Frink, Goodwood Sculpture Park, Compton Castle, Laugharne Castle etc and because he is in such demand for commissions, has little time to indulge his passionate skill on his own inspirations, and we are lucky to have been able to get these pieces which exemplifies his astonishing imagination. |
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| a. |
Drop |
3.6 m |
Stainless Steel |
1/1 |
£14200 |
| b. |
Guernsey Lily |
112 x 94 cm |
Stainless Steel & Copper |
1/1 |
£4000 |
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| 23. |
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Christine Fox creates abstact sculpture in stainless steel and other materials.She trained at Winchester School of Art and got her first commission when she was in the first year of the degree course there.Her current work is exploring aspects of time, change over time. |
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| 24. |
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She has exhibited with the RBS, Society of British Artists, Society of Women Artists, Society and Portrait Sculptors, The Royal Academy, Society of Wild Life Artists - she is a remarkable artist with work in public and private sectors
Mediums :- stone,wood, silver, bronze, steel,cold cast bronze and lead crystal.
Probably one of the most accomplished and highly trained artists we have here. Her distinctive and powerful work in stone, wood, silver, bronze, steel, lead crystal and cold cast can be found in many collections around Britain, Europe and the USA. The dimensions, as well as the subject content of her work, relate well to domestic environments, and gardens small and large. |
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| 25. |
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He is a British sculpture who has lived and worked in Columbia for 40 years where he runs a pottery of international repute, a sculpture school, and farms. His skill at interpreting the human form, particularly children and teenagers at rest and play, is exquisite. For those who are interested, there is a DVD of his entire portfolio available at ArtParkS. |
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| a. |
Felix |
Life Size |
Bronze |
1/9 |
£5000 |
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| 26. |
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After two careers, in the Coldstream Guards and as a G.P., he has finally found his passion for using local materials and creating works for that landscape. His work is commission only, and his whims and follies can be found in Arizona, Yorkshire and Lincolnshire. He is influenced by Military Fortification and dry stonewalling of his native Yorkshire when he is not writing, exploring or inventing. |
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| a. |
Sitooterie |
build on request |
Granite |
Unique |
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| b. |
Whim 7 |
Variety |
Granite or any stone or materiel that is |
7/00 |
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| 27. |
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A man of many parts, producing such serious and humorous work. Initially specializing in portrait and figurative work, moving via numerous commissions to his present mischievous approach, reminiscent of Hans Anderson or Mervin Peake, which are so sought after. He is the youngest person ever to have worked for Madame Tussauds in London. |
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| 28. |
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Veda works mainly in bronze, drawing inspiration from natural forms; fruits, seeds, birds and butterflies. Her present creative focus is on bronze wall pieces, using elements such as flights of birds, clouds or putterflies, and abstract fors, which are either 'one offs', or unique composites on commission. |
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| a. |
Chirimoya |
39 x 56 cm |
Bronze |
2/9 |
£2975 |
| b. |
Liberty |
57 x 46 x 34 cm |
Bronze |
3/12 |
£9000 |
| c. |
Nashi |
37 cm |
Bronze |
5/9 |
£3500 |
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| 29. |
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A talented animalier who created the massive blue whale in the Natural History Museum where he trained and worked for twenty years before doing the same job in the National Museum in Copenhagen, where he worked with Europe’s greatest wild life artists. He supports the WWF with sculptures auctioned at Christies. He translates pure form into a realm beyond simplicity and sensitivity that is traditional and contemporary at the same time. |
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| 30. |
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The delightful result of an English novelist father and French mother, born and brought up in Cornwall and France, her work is largely commissions though fortunately she finds time to express her love of the natural. Her work conveys a feeling and gentleness and reflects her training at St Martins and The John Cass School. |
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| 31. |
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One of the most accurate and carefully made sundials available in Europe. Silas Higgon creates a wide selection of meticulously calibrated traditional and contemporary pieces. |
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| 32. |
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Michael Hipkins was born in 1942 and received his Art education at Blackpool College. He then went to Paris to study painting at the Academie de la Grande Chaumiere and Academie Julienne and etching and engraving at S.W. Hayter’s Atelier 17. Primarily absorbed by the human figure, he is not so concerned with naturalistic interpretation but rather with truth to materials used. In his stone carving he tries to bring out the quality of the stone, showing different degrees of process from the raw stone to a highly polished finish. The figures emerge from the stone creating unity in form, spirit and movement. |
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| a. |
Eclipse |
37 x 45 x 6 cm |
Portuguese Marble |
1/1 |
£2800 |
| b. |
Mermaid |
50 x 50 x 90 cm |
Portuguese Marble |
1/1 |
£6600 |
| c. |
Spirit of Camargue |
35 x 47 x 15 cm |
Portuguese Marble |
1/1 |
£2800 |
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| 33. |
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“Graceful curves and planes, crystallize organic ideas with solid structures and suggest as yet undiscovered natural forms – the sort of sculpture one is compelled to touch”, is just one description of his delightful work that is so much in demand in the house, the workplace and the open space. |
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| a. |
Lydian |
1.5 m |
White Granite |
1/1 |
£2500 |
| b. |
Morphos 1 |
1.5 m |
White Marble and Abalone |
1/1 |
£7335 |
| c. |
Morphos 2 |
1.5 m |
White Marble and abalone |
1/1 |
£6000 |
| d. |
Morphos 3 |
1.5 m |
White Marble and abalone |
1/1 |
£6670 |
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| 34. |
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Deirdre Hubbard's sculpture explores the rhythms of natural forms, sometimes retaining the original image, but more often moving to some level of abstraction. Always vital is the rhythmic interplay of concave and convex shapes and the resulting curves and counter-curves. |
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| 35. |
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Has an insatiable love of animals and her skill is translating the wildlife in the country and the sea shore of Kent into Sculpture. She somehow captures both the strength and repose of her subjects. As she is always working on commissions she has little time to indulge her inclinations and we are extraordinary lucky to have these pieces. |
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| a. |
Osprey |
65 in |
Bronze |
1/7 |
£4270 |
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| 36. |
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Trained at Winchester School of Art, and works in terracotta, resin bronze, bronze, cement fondue and plaster, using the human form with mythological references, the lighter side also attracts her, using colour, movement and humour. |
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| 37. |
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Initially Simon trained as a stone mason in York before studying stone carving at the London City & Guilds Art School, and then acquiring an MA in architecture at the University of East London. This background has given an architectural dimension to his work, which draws on the heritage of sacred architecture and the architectrue of the human figure to create his carved stone pieces. He mainly produces original artworks, which he designs and carves in stone. |
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| a. |
Ring of Light |
original carving |
Portland Limestone |
Unique |
£3750 |
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| 38. |
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It is a real pleasure to be able to welcome back Lucy’s rapturous approach to nature, and her skilful use of patination. Usually her exhibitions are a sell out, so we were lucky to have this piece to show you. |
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| 39. |
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The gentle giant of the sculpture world, whose life-size and powerful work reflects his inner calm. A member of the Surrey Sculpture Society, and teacher and lecturer on sculpting. |
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| 40. |
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Has a natural ability, augmented by study at Hereford College of Art and Design, to create life and mythical forms from steel, copper and other metals, and the few pieces that he creates get snapped up by his fellow islanders and from further afield. He gets better every time he sets his hand to the welder. |
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| a. |
Face en Face |
49 x 30 x 38 cm |
Copper & Steel |
1/1 |
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| b. |
Reach |
209 x 56 x 52 cm |
Steel |
1/1 |
£4270 |
| c. |
Ronin |
185 x 86 x 125 cm |
Copper & Steel |
1/1 |
£10835 |
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| 41. |
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His experience initially in the steel fabrication industry with British Steel preceded his time at Salford University and these combine to inspire him to create these powerful metal images. Most of his work is commissioned for public display in his beloved North of England. He is open to commissions on similar subjects if you have something in mind. |
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| 42. |
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An unusually talented and multifaceted family team whose creations seem so varied and diverse it is difficult to classify them, whether working individually or jointly. They produce sundials, portraits, Prince Charles playing Polo, the Earl of Lichfield, Armillary Spheres, Dessert Orchid, wildlife etc etc. Remarkable and very collectable. |
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| 43. |
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His enthusiasm and skill is only equalled by his dedication, hard work and knowledge. Not only did he help to launch the Yorkshire Sculpture Park but his interpretation of steel into his passion for art in the landscape is exemplified in these pieces. Michael has recently won the Yuzi prize (joint first prize) at the first Guilin Yuzi Paradise International Sculpture Awards in China. |
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| 44. |
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Because of the immense demand in Holland for his scultures, there seems scarcely a town there that does not have at least one of his works. It is only because his ancestors, fleeing from the terror in Normandy, lived for a time in Guernsey that we persuaded this sculptural giant to exhibit here. |
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| 45. |
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He is not only an accomplished Artist having been chosen for the RA summer exhibition and has won the 1st prize for the National Exhibition of Carved Birds, but has had successful careers in Trout Farming, Accountancy and the Wine Trade before he was captivated by sculpture and by the contours of living creatures and the way they flow to form a whole. He requests you to enjoy the tactile quality of his work. Most of his larger pieces can be seen in the many cruise liners that ply our waters. |
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| 46. |
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Revels in interpreting the human form and wildlife in such a way, that he seems to touch a chord with everybody – he is without doubt the most sought after Sculptor in the island, and is a frequent visitor here with his friend and co-sculptor Guy Portelli.
Ev has been working as a professional sculptor for the past 35 years. He works in clay then casts his pieces in bronze or various resins. In recent years his abstract sculptures have been constructed with stainless steel.
In both his figurative and abstract works he strives to illustrate the natural vitality linking humans and other living forms. This is particularly evident in his latest works such as `Budburst`, `Vol au Vent` and `Earthdance`. |
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| a. |
4 Doves |
Life size |
Re-constituted stone |
u/l |
£150 |
| b. |
Stretch |
5 ft |
Resin Bronze |
/15 |
£2090 |
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| 47. |
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Nicolas Moreton is one of the rare artists who is much loved by critics and public alike and that stern arbiter Brian Sewell says ‘he is among his
generation, unrivalled in technique’. He has been the subject of numerous articles and TV programmes as his uniquely original approach has the ability to provoke surprise as well as pleasure. |
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| a. |
Backstroke |
180 cm |
Lancaster eatherbed limestone |
1/1 |
£16700 |
| b. |
He stood so tall |
218 cm |
Clipsham limestone |
1/1 |
£26000 |
| c. |
Sunflowers |
120 cm |
Clipsham limestone & 24 carat gold |
1/1 |
£16700 |
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| 48. |
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Originally from Bangor in Wales and having trained at St Martins, she now lives and works in Croatia. Her work is very strong and personal and is inspired by where she works and her background. You can not categorize her work,only glory in it`s generosity, size and power. |
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| a. |
Dead Man |
23 x 63 x 71 cm |
Stone, Steel & Lead |
i/i |
£1670 |
| b. |
Ullysses |
48 x 83 x 44 cm |
Stone, Steel & Lead |
1/1 |
£7000 |
|
| 49. |
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Terry comes with a natural talent honed at an impressive selection of Art Academia; Wimbledon School of Art, Hornsey College of Art and the Royal College of Art. He has been invited to exhibit extensively in Australia, Britain, Italy & France and features prominently in ‘Modern British Sculpture’ the book of sculptors of 20th Century by Guy Portelli. |
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| a. |
Accord |
76 x 74 x 50 cm |
Cold Cast Iron |
1/10 |
£7920 |
| b. |
Undercurrents II |
90 x 170 x 30 cm |
Cold Cast Copper |
2/5 |
£6670 |
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| 50. |
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Nearly all his work is devoted to the exploration of glass as a sculptural medium and where appropriate he adapts the latest glass engineering techniques. He often incorporates toughened and shatter resistant glass laminates and is thus able to create glass sculpture which does not need support and is robust and durable.
Has exhibited and sold his unique glass pieces all over the world.
His technology degree has given him great insight into structure and physical properties of glass, and this enables him to realise highly original and unexpected artistic possibilities for this spectacular medium.
His work frequently features on television.
Very much in demand. |
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| 51. |
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Started his career in art young – studying at the Cardiff Art School and the Royal College of Art. He has exhibited all over Britain, where his art is sought after for public and private collections. Working largely in stone and marble, his versatile chisel creates miniature and massive work. One of the greats of the old school. |
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| a. |
My Doll |
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Portland stone |
1/1 |
£4200 |
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| 52. |
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"In recent years sculptor Guðrún Nielsen has been fascinated with all things Japanese, which ties in with her enduring interest in clear and concise forms and proportions and qualities such as lightness and harmony, in short everything that contributes to the optimum balance of elements within the work at hand as well as the world without. These are qualities associated with the Japanese attitude to mass and space, as seen in their oldest buildings as well as their recent architecture. A fundamental aspect of this attitude is certain spareness with regard to materials, which is also an attitude that Guðrún subscribes to."
Japan Current, Catalogue 17.Oct. 2009 Aðalsteinn Ingólfsson
Greenham Common celebrates its transformation BBC 26.July 2010
A sculpture has been unveiled to mark the work of the Greenham Common Trust, which supports charitable projects in West Berkshire.
The design, called Changes, celebrates the transformation of the
read more ...http://www.bbc.co.uk/news/uk-england-berkshire-10760090 |
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| a. |
Memory II |
180 x 46 x 30 cm |
Corten steel or painted steel |
1/9 |
£8850 |
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| 53. |
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Has been sculpting since her school days though only did it in later life as a hobby until Aspreys and Garrards bought some work. Exhibitions at the Sladmore, Saratoga, Gleneagles, on her first love of horses was followed by the Robert Bowman Gallery with her superb other animals. She is a master of her craft. |
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| a. |
Roe-Buck |
114 x 95 x 30 cm |
Bronze |
2/7 |
£20000 |
|
| 54. |
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Gary has a deftness and skill with copper, which combines with a sure eye for form. The shapes and designs are absorbed from nature and then worked into the finished creation. He has work in private collections all over the country, we have sent them as far as Switzerland. |
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| 55. |
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Rising head and shoulders above his contemporaries his work is found all over Britain, the US and Europe, in private, public and corporate collections. Somehow with all his commissions and own inspirations he manages to find time to work on the committee of the RBS and write books on the sculptors of the 20th Century with equal skill and panache. |
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| 56. |
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His great skill in figurative work is reflected in the astonishing amount of commissions, bronze portraits of such heroes such as Douglas Bader, Wellington, Napoleon, Johnny Johnson etc and his ability to give a feeling of movement as well as peace, he has been asked to exhibit at the RA, The Sladmore Gallery, Tokyo, New York etc etc. |
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| 57. |
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A thoroughly accomplished and well rounded artist in sculpture, painting and drawing whose skill extends to teaching and organizing workshops and exhibitions. Despite this busy life he is featured in a great deal in a wide variety of exhibitions in London, Frankfurt, The Tate, Philadelphia, Berlin, etc etc. |
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| 58. |
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Helen Sinclair's work is figuratively based, modeled in a variety of materials and cast into stone-resin and bronze. She exhibits all over Britain and her sculpture is in private collections worldwide. |
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| 59. |
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Elizabeth, Diploma Art & Design (Wales) Post Graduate Year City & Guilds (London), has exhibited in London, Paris and Amsterdam: Works aim for tension, balance and latent movement and are in collections in England, Germany and Holland. Of Anglo-Irish descent, she has lived in Ireland, Scotland and Wales. She was elected Associate Member of the Royal British Society of Sculptors in 1998 and shows with Surrey Sculptors, Surrey artists, Hampshire Sculpture Trust and Local Galleries. Her work was shown at the Hannah Peschar Sculpture in Landscape, in Gardens of ArtParkS International, Le Club des Arts, 4 place du Louvre Paris, Gallery Lughien Amsterdam, and semi permanent at Beale Park, Reading. She has sculpture in private collections in England, Wales, Germany and Holland. |
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| 60. |
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Jilly Sutton trained at Exeter College of Art. She carves ‘in the round’ large pieces of tree, the challenge being the plastic manipulation of the wood. Her mostly figurative work has a haunting beauty, with an over-riding feeling of peace. Her double sized head of the Poet Laureate is in the National Portrait Gallery. Much of her work is cast in bronze or jesmonite. |
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| 61. |
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A thoroughly accomplished and acclaimed creator in bronze who, having trained at Great Yarmouth College of Art & Design and getting a BA Hons at Leicester, went on to be Head of Model Making and Taxidermy at the British Museum. Since then he has been much in demand doing animatronics in the film industry for such films as Babe, 101 Dalmations, The Lion The Witch and the Wardrobe and Walking with Dinosaurs. |
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| a. |
Black Ape |
50 x 42 x 42 cm |
Bronze |
1/9 |
£9200 |
| b. |
Piglet |
69 x 48 x 48 cm |
Bronze |
1/9 |
£8350 |
| c. |
Sentinel |
180 x 86 x 30 cm |
Bronze |
1/9 |
£9350 |
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| 62. |
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Her love of all animals is supremely exemplified in all of her sculpture. Some catching that moment, whether the poise before the pounce of a big cat or the sudden turn of a swerving hare. She now spends much of her time in South Africa working on her beloved animals. |
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| 63. |
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One of the most powerful sculptors of the decade.
He has work in London, New York, Blenheim Palace etc, and has exhibited widely. |
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| 64. |
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Much in demand for public art and community projects, Richard somehow captures the potential of the medium he work in with the genius of a light touch. When not sculpting he teaches degree courses. |
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| a. |
Genesis I |
1.2 x 1.3 x 3 m |
Stainless Steel |
1/5 |
£4920 |
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| 65. |
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He is probably the top Bulgarian international artist and has worked and exhibited in UK, Japan, Italy, Bulgaria, Hungary, Austria, France, Taiwan, China, Portugal, Korea, Turkey, Australia, United Arab Emirates, Scotland and South Africa. He is an absolute giant of the sculpture world who seems to have captured the contemporary ethos of desirable art with seemingly effortless ease. |
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| 66. |
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A remarkably versatile artist, having graduated from Wimbledon, Chelsea and The Royal College where she won the Henry Moore Scholarship she creates work of quality and power. |
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| a. |
Orbit |
150 x 150 x 80 cm |
Stainless Steel |
1/1 |
£3500 |
|
| 67. |
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Iconic heads in strong colours form the basis of Patricia's evocative figurative sculpture. Her work has been exhibited extensively in Britain and America, and appears in the collections of Lord Carrington and Sir John Mortimer. |
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| 68. |
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Her private commissions can be found in Holland, Germany, Portugal, Switzerland and the America’s and her public commissions include St. Thomas’s Hospital, Keele University, Albourne Church etc etc. Like many great sculptors she started as a painter but unusually came to sculpting via domestic pottery, but what a result. |
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| a. |
Drowsing |
77 x 55 cm |
Bronze Resin |
8 |
£2175 |
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| 69. |
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Paul has a natural aptitude with stone using natural forms as a basis for his pleasing and tactile work. His central natural theme pervades his diverse subjects and materials, a collectors sculptor. Although trained he has that something that cannot be acquired through learning. |
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| a. |
Ocean Cone |
90 x 47 x 20 cm |
Derbyshire limestone |
1/1 |
£1740 |
| b. |
Seapod |
83 x 27 x 33 cm |
Derbyshire Limestone |
1/1 |
£3000 |
| c. |
Tideway |
66 x 21 x 55 cm |
Derbyshire limestone |
1/1 |
£2140 |
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| 70. |
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Tolleck`s work is kept in private and public collections in the UK and throughout the world. |
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| 71. |
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He is one of those rare artists whose skill is entirely natural and untaught and whose artistry has been appreciated by such as Sir Cecil Beaton, his first client, The Duke of Westminster who commissioned a 5 metre bronze of his ancestor Sir Robert Grosvenor and so the list goes on. He is particularly well known for his singular ability to capture that spontaneous moment of movement or repose whether of people, birds or animals. |
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| 72. |
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Though inspired by classical tradition, Althea’s work develops her forms of human figures and animals with a contemporary treatment, using high-fired ceramic with the colour of cotwold stone |
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